Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Monday, 14 November 2016

Nadia Rose, J Hus, Katy B - In:Motion 12/11/16

Originally written for Bristol 24/7

Reviews: Review: Katy B, Nadia Rose and more, Motion

Ngaio Anyia, November 14, 2016







There is a trap that you can fall into when attending Motion regularly - failing to be surprised. The DJs are the pull so it’s easy to think you already know what kind of night it’s going be before it’s begun.
Saturday was a very pleasant surprise, however. The Room One lineup of Katy B (a peculiar choice I thought - couldn’t quite imagine her flying solo), J Hus who’s had solid radio play and finally Nadia Rose, famously elusive when it comes to turning up, resulted in me approaching the night with manageable expectations.
As soon as I walked in everyone was smiles. It still had that ‘freshers’ first time at Motion’ vibe but it was the least arrogant crowd I’ve seen there for a long time. Throughout the night I heard strangers giving each other compliments, groups giving apologetic excuses as they meandered through the crowd and smiles exchanged between most who made eye contact. I don’t think I’ve ever felt more relaxed there. 
The Cave, generally the room to dance-walk through to get to where the real fun is, was packed. I would happily have spent the entire night in there, due largely to ALXZNDR (above) shelling out some of the best mixes I’ve heard in a while. Old school garage, grime - it was nostalgia delivered expertly, sans the cheese. He's one of the residents at Psyched in Bristol. I recommend him highly - the next night is on the 26th.





















Katy B was a little late, to the point where people were frantically asking each other if they’d missed her, but lo and behold when she arrived the place erupted. It was a set of hits you couldn’t help but dance to. Lights On had everyone singing her lyrics to each other with relish, while On A Mission whipped the crowd into a frenzy. The wonderful thing about Motion not being full to the brim with people is that there actually room to dance - a godsend when J Hus graced the stage - it was music to dance to. I swiftly realised he was that artist that I always hear in mixes and forget to look up, but so many of his tracks are fire. Everyone found a dancing partner for Friendly, flipping between dancehall, basement and bass music it was a high energy set which perfectly transitioned from drum & bass to grime.
As the Friendly-made couples turned round to greet their sporadic dance partners, the woman I’d been waiting for came out of the shadows: Nadia Rose. So rarely do you see a female grime artist in the main room at prime time, but there she was and she delivered her cut-above lyrics with intense precision. Her quickfire set of hits and exclusives, accompanied by a female beatboxer, had the crowd jumping. I failed to get the beatboxer's name but, damn, she delivered. With one foot on the speaker, Rose exhileratingly shot out lyrics celebrating females, and Skwod in particular had us dancing with abandon. There was something about seeing a woman of colour unapologetically dominate the stage which couldn’t help but fill me with pride.
This is what I love about In:Motion, the lineups are put together thoughtfully and perfectly. I’m already waiting with baited breath for DJ EZ on November 2.

Tuesday, 8 March 2016

Red Bull Culture Clash, The Passenger Shed, Bristol 2016


There are 3 clashes from Red Bull this year in Bristol, Manchester and London - but in my opinion Bristol got the best teams (admittedly London's teams haven't been announced yet...but our line-ups hard to beat!)

We had:

Butterz Sound
Team Tectonic
Stylo G's Warning Sound
DJ Die presents Gutterfunk

Tectonic had to be there as champions of a clash at Motion last year. Headed up by Pinch, even as I was walking in I overheard people chatting about Tectonic’s dubplates, soundsystem... But I get ahead of myself.

If you've never been to a clash before, there are certain rules that apply. There can be no double play's of a track. At all. All night. Break the rule and you get disqualified from the round. 

The winners of each round are decided by crowd reaction or a decibel reader if it’s too close to call. 

A dub plate (a song which has had different lyrics recorded over it hyping up/trash talking a team) can make or break a round.

The four rounds go like this:

  1. Pressure drop: 10 minute warm up for each team to showcase their sound
  2. The Selector: DJs play any style, musical knowledge is a necessity
  3. Sleeping With The Enemy: tables are turned as crews play each other's sound
  4. Armageddon: each brings out their biggest anthems to win over the crowd once and for all

Gutterfunk kicked off the night with some legendary Drum & Bass - proper Bristol sound. They got the crowd hyped and ready for what the evening had to offer.

However Butterz sound finished it off with ease. With P Money as their main MC, as soon as 'Skeng' The Bugwas followed by ‘Slang Like This’ the crowd knew who to yell for. 

They won the crowd from early but after dropping so much fire quick, could they keep it?

The way Tectonic took down Warning Sound in Round 2 was a sight to behold. Not only did they bring out Lady Chann (an ex of on of Stylo’s MC’s - MC Stormin) but with their legendary sound system they annihilated some of the biggest jungle/dancehall tracks. 

Believe me when I say the trash talk stepped up a level when Lady Chann shouted over to Warning Sound to ‘stop pretending and put in your blue contacts’… Ouch.

Saying that, after the amount of people Stylo G took to the stage in Round 3 (Lethal Bizzle, Chip, Fekky to name a few) and the amount of dubplates he came armed with (So Solid Crew “21 seconds’, Section Boyz “Lock Arff”, Beenie Man freshly shipped from Jamaica) he took Round 3.


The energy that stage had when the whole crew was up there was mad. When a crew is that gassed it’s infectious. There may have been too many wheel ups for me (I really wanted to hear more than 45 seconds of Fester Skank) but ultimately they made it a two crew race: Gutterfunk vs Warning Sound. 



By Round 4, everyone was running from team to team but I have to give a special mention to the hardcore Warning Sound fans whose loyalty held them steady at the front of Stylo’s stage.
Every team bought their A Game but Gutterfunk tore the place down with their feel good music. 

Every genre that makes you want to dance with the person next to you was brought out. Paul Johnson’s Get Get Down was my personal highlight. Their ‘keep people moving and smiling’ approach is what encapsulates Bristol as the music loving city it is. When they brought out their Unfinished Sympathy dubplate sung to perfection by Bristol’s own Eva Lazarus the crowd went insane. 



It was a tough call deciding between Warning Sound and Gutterfunk and the decibel metre had to be used but when Julie Adenuga came to the middle of the room to announce the winners, people had already started to gravitate towards the Gutterfunk stage.


Bristol champions and rightly so, DJ Die and Dismantle showed that knowledge of your crowd will win their loyalty and you don’t need to trash talk to win.

 Here's a lil taster from the night...